{"product_id":"issue-33-winter-2017-18-berlin-kidz","title":"Issue #33 — Winter 2017\/2018: Berlin Kidz","description":"\u003cp\u003e032c Issue 33 - Winter 2017\/2018 \u003cstrong\u003e“Berlin Kidz”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHow do you write in an age of anger? By using text as a weapon to deface the establishment.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis is lesson number one of this issue's dossier \u003c\/span\u003e\u003cb\u003eBERLIN KIDZ\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e,\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003ewhich follows the anonymous group of graffiti writers, videographers, and train-surfers to the highest points in the German capital.\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eMeanwhile in New Jersey, \u003c\/span\u003e\u003cb\u003eFRANK OCEAN \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003elives out his\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eexile on Main Street and receives a fresh glow from \u003c\/span\u003e\u003cb\u003ePETRA COLLINS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003eALEX NEEDHAM\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. In two 032c archeological expeditions, \u003c\/span\u003e\u003cb\u003eMARIO TESTINO\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e explores the shores of Pompeii, while \u003c\/span\u003e\u003cb\u003eKATERINA JEBB \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003evisits \u003c\/span\u003e\u003cb\u003eBALTHUS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e’s Grand Chalet for an editorial posthumously narrated by a conversation between the late painter and \u003c\/span\u003e\u003cb\u003eDAVID BOWIE\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. We delve into the psyche (and country home) of artist \u003c\/span\u003e\u003cb\u003eJORDAN WOLFSON\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and escape a Parisian hospital with \u003c\/span\u003e\u003cb\u003eJACKIE NICKERSON\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. Writer \u003c\/span\u003e\u003cb\u003ePANKAJ MISHRA\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e explains why embarking on modernity was such a risky project and how we ended up in an “Age of Anger.” In a chilling personal essay, CEO \u003c\/span\u003e\u003cb\u003eMATHIAS DÖPFNER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e recounts his travels to the Nazi Death Camps in Poland. \u003c\/span\u003e\u003cb\u003eDANIEL RICHTER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003eLUDWIG LUGMEIER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e perform a séance on Jewish exile, Al Capone bodyguard, and lost modernist \u003c\/span\u003e\u003cb\u003eJACK BILBO\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, while\u003c\/span\u003e\u003cb\u003e PIERRE-ANGE CARLOTTI \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eimagines the death metal cowboys of Botswana in Berlin.\u003c\/span\u003e \u003cspan\u003eWe speak with\u003c\/span\u003e\u003cstrong class=\"\"\u003e ABRA, BJARKE INGELS, TACO, \u003c\/strong\u003e\u003cspan\u003eand\u003c\/span\u003e\u003cstrong class=\"\"\u003e JULIANA HUXTABLE,\u003c\/strong\u003e\u003cspan\u003e and last but not least, \u003c\/span\u003e\u003cstrong class=\"\"\u003eKRIS VAN ASSCHE\u003c\/strong\u003e\u003cspan\u003e, who tells us what it means to be an \u003c\/span\u003e\u003cem class=\"\"\u003eHomme \u003c\/em\u003e\u003cspan\u003eon the occasion of his ten year anniversary as artistic director of Dior. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlso included with the issue are sticker pages featuring designs by AMBUSH, Geoff McFetridge, J.W. Anderson, SSS World Corp, Wes Lang, and Virgil Abloh c\/o OFF-WHITE.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLearn more about the issue below:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFor this issue’s dossier, Thom Bettridge climbs to the rooftops of the German capital with the \u003c\/span\u003e\u003cb\u003eBERLIN KIDZ\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the city’s most notorious graffiti writers, who provide us with a how-to of public vandalism. Defined by danger and illegality, their practice is a map of how writing can escape the feudal boundaries of digital society.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFor her first 032c cover story, “Exile on Main Street,” \u003c\/span\u003e\u003cb\u003ePETRA COLLINS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e voyages with Mel Ottenberg for a weekend with \u003c\/span\u003e\u003cb\u003eFRANK OCEAN\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, while \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eGuardian\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e’s \u003c\/span\u003e\u003cb\u003eALEX NEEDHAM\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e pays homage to the musical enigma in his essay “The Artist is Absent.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eJewish prince. Gangster. Political refugee. Anti-fascist soldier. Barkeeper. Lost modernist master. The story of artist \u003c\/span\u003e\u003cb\u003eJACK BILBO\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a winding odyssey, told here to 032c by writer and 1970s bank robber \u003c\/span\u003e\u003cb\u003eLUDWIG LUGMEIER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. On the occasion of the artist’s first exhibition in decades, painter \u003c\/span\u003e\u003cb\u003eDANIEL RICHTER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSüddeutsche Zeitung\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e Editor \u003c\/span\u003e\u003cb\u003ePETER RICHTER \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003ediscuss Käpt’n Bilbo’s legacy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn an archeological expedition to the shores near Pompeii, \u003c\/span\u003e\u003cb\u003eMARIO TESTINO\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003eANASTASIA BARBIERI\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e bring us “I TRIED TO DROWN MY SORROWS BUT THE BASTARDS LEARNED HOW TO SWIM” – an editorial accompanied by Testino’s photographs of the lost city. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFor “Le Grand Chalet de Balthus,” photographer \u003c\/span\u003e\u003cb\u003eKATERINA JEBB\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and stylist \u003c\/span\u003e\u003cb\u003eROBERT RABENSTEINER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e delve into the legacy of \u003c\/span\u003e\u003cb\u003eBALTHUS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e by capturing the painter’s widow Countess Setsuko Klossowska de Rola and his daughter Harumi Klossowska de Rola in their Chalet de Rossinière. The editorial is accompanied by a conversation from the 1990s between the late painter and \u003c\/span\u003e\u003cb\u003eDAVID BOWIE\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn her latest editorial for 032c, \u003c\/span\u003e\u003cb\u003eJACKIE NICKERSON\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e escapes a Parisian hospital with Mel Ottenberg on a quest for the fountain of youth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“NOBODY WANTED TO SEE ANYTHING.” In a chilling report, Axel Springer CEO \u003c\/span\u003e\u003cb\u003eMATHIAS DÖPFNER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e visits Sobibór, Bełżec, and Majdanek – three of the Nazi extermination camps in Poland – to explore how quickly ignorance slides into genocide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhy do we live in a culture of rage? According to novelist \u003c\/span\u003e\u003cb\u003ePANKAJ MISHRA\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the origins of our political quagmire can be traced all the way back to the Enlightenment. In a conversation illustrated with skate bails by photographer \u003c\/span\u003e\u003cb\u003eSAM MULLER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, Mishra discusses the future and its discontents with JACK SELF.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFor their editorial “8,000 miles from Gaborone,” \u003c\/span\u003e\u003cb\u003ePIERRE-ANGE CARLOTTI\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and Marc Goehring raid Berlin’s leather stores and re-imagine the death metal cowboys of Botswana.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“I WANT TO FEEL MORE. WHERE DO I FEEL MORE? HOW DO I FEEL MORE?” In conversation with Thom Bettridge, \u003c\/span\u003e\u003cb\u003eJORDAN WOLFSON\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e discusses the Faustian bargains he made at Bikram yoga class and his virtual reality film that shocked the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSince taking over the position of artistic director at Dior Homme in 2007, \u003c\/span\u003e\u003cb\u003eKRIS VAN ASSCHE\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e has taken a consistent approach to men’s fashion at a time when the concept of menswear itself has been under siege. \u003c\/span\u003e\u003cb\u003eJINA KHAYYER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e sits down with the designer at Dior HQ in Paris and talks about his dedication to tailoring, opinions on macho-chauvinism, and his penchant for flowers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn the “\u003c\/span\u003e\u003cb\u003eSSENSE Files,\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e” we bring you scenes of cross-platform madness, including stories with \u003c\/span\u003e\u003cb\u003eALEX OLSON\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eABRA\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eBJARKE INGELS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eDOUGLAS COUPLAND\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003eTORSO\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eJULIANA HUXTABLE\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and \u003c\/span\u003e\u003cb\u003eTACO\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn our “\u003c\/span\u003e\u003cb\u003eBERLIN REVIEW\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e” section dedicated to our favorite books of the season, we limbo through the past and present: from tracing \u003c\/span\u003e\u003cb\u003eNASA\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e’s graphic identity to dissecting the cashmere globalism of \u003c\/span\u003e\u003cb\u003eEMPORIO ARMANI MAGAZINE\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e to studying the 1000-year history of \u003c\/span\u003e\u003cb\u003ePISSING\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e in art to wandering through Korea’s Demilitarized Zone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis issue’s\u003c\/span\u003e\u003cb\u003e SOCIÉTÉ de 032c\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e first brings us to Seoul, where Korean rockstars \u003c\/span\u003e\u003cb\u003eHYUKOH\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e take five to read the magazine in front of thousands of fans. We then fly over to Moscow to stretch before our \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003epas de deux\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e with prima ballerina \u003c\/span\u003e\u003cb\u003ePOLINA SEMIONOVA\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and make our way to Stockholm for a city tour with \u003c\/span\u003e\u003cb\u003eEYTYS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-founders Max Schiller and Jonathan Hirschfeld. After a detour with Gucci to check out the recently opened Zeitz MOCAA and catch up with its founder \u003c\/span\u003e\u003cb\u003eJOCHEN ZEITZ\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, we head home to Berlin to visit \u003c\/span\u003e\u003cb\u003eANA RAJCEVIC\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and her animal masks at her atelier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll this and more on 288 pages!\u003c\/p\u003e","brand":"032c Workshop","offers":[{"title":"Petra Collins","offer_id":4128954351657,"sku":"032c-33-Petra-Collins","price":23200.0,"currency_code":"KRW","in_stock":false},{"title":"Mario Testino","offer_id":4128954384425,"sku":"032c-33-Mario-Testino","price":23200.0,"currency_code":"KRW","in_stock":true},{"title":"Pierre-Ange Carlotti","offer_id":4128954417193,"sku":"032c-33-Pierre-Ange-Carlotti","price":23200.0,"currency_code":"KRW","in_stock":true},{"title":"Jackie Nickerson","offer_id":4128954449961,"sku":"032c-33-Jackie-Nickerson","price":23200.0,"currency_code":"KRW","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/1547\/products\/Cover33_98c4a06c-1009-410a-b4b2-17b04f178a24.jpg?v=1579539540","url":"https:\/\/www.032c.com\/en-kr\/products\/issue-33-winter-2017-18-berlin-kidz","provider":"032c","version":"1.0","type":"link"}