{"product_id":"issue-35-winter-2018-19-a-museum-for-james-baldwin","title":"Issue #35 — Winter 2018\/2019: “A Museum for James Baldwin”","description":"\u003ch1 class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eIssue #35 – \u003cbr\u003eWinter 2018\/2019: \u003cbr\u003e“A Museum for James Baldwin”\u003c\/b\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003e“You can’t sleep with a yacht. You can’t make love to a Cadillac, though everyone appears to be trying to.”\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eIn 032c Issue 35, we publish a 25-page dossier that celebrates the material world of American writer \u003cb\u003eJAMES BALDWIN\u003c\/b\u003e (1924-1987), an exile and a prophet whose commitment to love, justice, and fearlessness serves as a guide to our discordant present. Cover star \u003cb\u003eKIKO MIZUHARA\u003c\/b\u003e embraces transhumanist pleasures on the streets of Tokyo. \u003cb\u003ePETRA COLLINS\u003c\/b\u003e photographs newly canonized rap pope \u003cb\u003eGUCCI MANE\u003c\/b\u003e at an altar of art and flowers in Miami. Meanwhile in London, makeup artist \u003cb\u003eISAMAYA FFRENCH\u003c\/b\u003e is the oracle of un-wellness, peeling back the mask on a 387-billion euro industry. French sociologists \u003cb\u003eLUC BOLTANSKI\u003c\/b\u003e and \u003cb\u003eARNAUD ESQUERRE\u003c\/b\u003e unveil a new economy of enrichment, fueled by our obsession with sneakers, art, and luxury real estate, and new work by artist \u003cb\u003eSETH PRICE\u003c\/b\u003e zooms in on consumer culture, merchandise, and textile production. \u003cb\u003eHANS ULRICH OBRIST\u003c\/b\u003e and \u003cb\u003eVIRGIL ABLOH\u003c\/b\u003e ask superstar painter \u003cb\u003eMARLENE DUMAS\u003c\/b\u003e how she says “yes” – and art book publishing magnate \u003cb\u003eBENEDIKT TASCHEN\u003c\/b\u003e gets lucky saying “yes” to everything in art. We look through the keyhole to \u003cb\u003eFRANCIS BACON\u003c\/b\u003e’s past life as a modernist interior designer, and Chengdu photographer and propagandist \u003cb\u003eFENG LI\u003c\/b\u003e takes photos in Shanghai. We portray \u003cb\u003eTOLIA TITAEV\u003c\/b\u003e, co-founder of PACCBET and Moscow’s OCTYABR skate shop, and ADRIANO SACK pulls at the threads of streetwear to show us the deep-running influence of the acid-tinged fashions of 1990s \u003cb\u003eCLUBWEAR\u003c\/b\u003e. Finally, we review our favorite books of the season, and get to the root of all things with \u003cb\u003ePEGGY GOU\u003c\/b\u003e, \u003cb\u003eWIZ KHALIFA\u003c\/b\u003e, \u003cb\u003eEDOUARD LOUIS, HARLEY WEIR, DIS\u003c\/b\u003e, \u003cb\u003eEUGENE WHANG\u003c\/b\u003e, \u003cb\u003eWILL WELCH\u003c\/b\u003e and \u003cb\u003eYOON AHN\u003c\/b\u003e.\u003c\/p\u003e\n\u003ch2 class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eLearn more about the issue below:\u003c\/b\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eJAMES BALDWIN\u003c\/b\u003e is still a Jeremiah: a mournful prophet whose warnings about the health of the world appear to have gone unheeded. As the home he occupied in France during the last 17 years of his life is demolished to make way for luxury condominiums, we assemble the belongings and images that might inhabit a museum worthy of his words, and his life.\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003eModel, actor, singer, designer, and 032c cover heroine \u003cb\u003eKIKO MIZUHARA\u003c\/b\u003e is a sensual transhumanist inside a skeletronic robot for an editorial shot in Tokyo by \u003cb\u003eTHOMAS LOHR\u003c\/b\u003e and styled by 032c Fashion Director \u003cb\u003eMARC GOEHRING\u003c\/b\u003e.\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003eWe gain access to the leadership secrets of rap pope \u003cb\u003eGUCCI MANE\u003c\/b\u003e, a prolific artist and entrepreneur who emerged from a “money-green” house in small-town Alabama to become a one-man hip hop incubator. Accompanying a profile by curator DANIEL FULLER, \u003cb\u003ePETRA COLLINS\u003c\/b\u003e photographs Gucci against her signature floral backdrop in an exclusive shoot at the Institute of Contemporary Art in Miami.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eRemove your vaginal eggs. Spit our your oat milk. Bin the crystals. Above the spotless din of wellness, makeup artist \u003cb\u003eISAMAYA FFRENCH \u003c\/b\u003eis pioneering a brand of anti-beauty that sweatily confronts death – yet somehow remains alluring. Creative director and British \u003ci\u003eVogue\u003c\/i\u003e columnist RAVEN SMITH talks to Ffrench about Rihanna, Carl Jung, and the grotesque.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003eIn “Rich Things,” sociologists \u003cb\u003eLUC BOLTANSKI \u003c\/b\u003eand \u003cb\u003eARNAUD ESQUERRE \u003c\/b\u003eexplain the new system of wealth fueled by our relentless consumption of sneakers, handbags, AirBnBs, and art. It’s the economy of enrichment, stupid! A commodity fetish borne of heritage tourism and housed in private foundations and cultural institutions. Images by artist \u003cb\u003eSETH PRICE\u003c\/b\u003e appear in parallel to the interview, clippings from a new body of work that disturbs the commercial hierarchy of the gallery, the boutique, and the bodega.\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eMARLENE DUMAS\u003c\/b\u003e made history in 2005 when a Christie’s auction result made her work the most expensive of any female artist alive. Born in South Africa, Dumas now lives in Amsterdam, where \u003cb\u003eHANS ULRICH OBRIST \u003c\/b\u003eand \u003cb\u003eVIRGIL ABLOH\u003c\/b\u003e met her for a rare conversation about her public artworks – projects that have gracefully found homes in a cathedral, a psychiatric hospital, and a courthouse.\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003ePublishing magnate \u003cb\u003eBENEDIKT TASCHEN \u003c\/b\u003eopens up about his moonlight career as an art collector in an uninhibited interview with SVEN MICHAELSEN. Through Taschen’s luck, charm, and cunning, the collection grew so large his children started receiving canvases as birthday gifts. “Sometimes there would be a fit because one kid would have preferred a Barbie doll over a Kippenberger,” he explains. “But they had to go through this valley of tears. You don’t always get what you want in life.”\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003eDid you know \u003cb\u003eFRANCIS BACON\u003c\/b\u003e’s first painting was a rug? In the late 1920s, the painter worked in Paris as an interior decorator, imbibing the influence of Le Corbusier while designing tables, stools, and desks. As REBECCA DANIELS explains, although Bacon downplayed his stint as a designer, it would inform his radical sense of spatial possibility throughout his artistic career.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eIn “Territorial Signals” we portray the 24-year-old Muscovite \u003cb\u003eTOLIA TITAEV\u003c\/b\u003e, professional skater and co-founder, alongside GOSHA RUBCHINSKIY, of the skate brand PACCBETT and the Moscow skate shop OKTYABR – a pin on the map where the Russian skate scene converges.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eBefore streetwear there was \u003cb\u003eCLUBWEAR\u003c\/b\u003e. Writer ADRIANO SACK decodes the looks and attitudes curated by the magazines, brands, and clubs that defined the early 1990s party scene – and uncovers a historic antecedent to the dominant fashion trend of the 2010s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eElsewhere in our fashion stories, a guy from Chengdu – prolific photographer \u003cb\u003eFENG LI\u003c\/b\u003e – takes uncanny pictures in Shanghai in an editorial styled by TAMARA ROTHSTEIN, and two armored knights cross swords in \u003cb\u003eLIVE ACTION ROLE PLAY, \u003c\/b\u003estyled by MARC GOEHRING and photographed by BRUNO STAUB.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eIn the “SSENSE Files,” we deliver scenes of cross-platform madness from our work at \u003ca href=\"http:\/\/ssense.com\/\"\u003e\u003cspan class=\"s2\"\u003essense.com\u003c\/span\u003e\u003c\/a\u003e, including face-to-face time with \u003cb\u003ePEGGY GOU\u003c\/b\u003e, \u003cb\u003eWIZ KHALIFA\u003c\/b\u003e, \u003cb\u003eWILL WELCH\u003c\/b\u003e, \u003cb\u003eEUGENE WHANG\u003c\/b\u003e, \u003cb\u003eDIS\u003c\/b\u003e, \u003cb\u003eHARLEY WEIR\u003c\/b\u003e, \u003cb\u003eEDOUARD LOUIS\u003c\/b\u003e, and \u003cb\u003eYOON AHN\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eIn “SOCIÉTÉ de 032c,” we glide through a trance-inducing fog in the grand halls of the Belvedere Museum in Vienna with artist \u003cb\u003eDONNA HUANCA\u003c\/b\u003e, learn the true meaning of family enterprise with \u003cb\u003eBOB and ADAM LEVY \u003c\/b\u003eof workwear Mecca\u003cb\u003e DAVE’S NY\u003c\/b\u003e, talk blood, sweat, and femininity with the girls of \u003cb\u003eSKATE KITCHEN\u003c\/b\u003e, and imagine a techo-dystopian future courtesy of Spanish DJ and model \u003cb\u003eSITA ABELLAN\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003eFinally, the magazine closes with “BERLIN REVIEW”, our favorite books released this season. We explore the sharing economy \u003ci\u003ewunderkammer\u003c\/i\u003e – replete with Helmut Lang and Raf Simons – that is the \u003cb\u003eDAVID CASAVANT ARCHIVE\u003c\/b\u003e, find bemusement in \u003ci\u003eArtforum\u003c\/i\u003e magazine’s eternally Swiss \u003cb\u003e147 BACKCOVERS\u003c\/b\u003e, throw back a warm beer in a changing Berlin-Kreuzberg with artist MATTHIAS STEINKRAUS at \u003cb\u003eROTE ROSA\u003c\/b\u003e, and review the uncompromising mental strategies of artist \u003cb\u003eLEE LOZANO\u003c\/b\u003e, who gave up talking to women in her infamous last, greatest, and most confusing work.\u003c\/span\u003e\u003c\/p\u003e","brand":"032c Workshop","offers":[{"title":"Knights","offer_id":15439877505118,"sku":"032c-35-knights","price":30.0,"currency_code":"EUR","in_stock":false},{"title":"Gucci Mane","offer_id":15439877439582,"sku":"032c-35-gucci-mane","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Kiko","offer_id":15439877472350,"sku":"032c-35-kiko","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/1547\/products\/Cover35thKnights_c6b53b38-616d-4e83-adfc-7e7868b5ca4a.jpg?v=1614068052","url":"https:\/\/www.032c.com\/products\/issue-35-winter-2018-19-a-museum-for-james-baldwin","provider":"032c","version":"1.0","type":"link"}